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Identity and Performance

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Identity and Performance

Identity is constantly in flux, constructed, negotiated, muted, and mutable. Throughout the 20th and 21st centuries, artists have performed their own or other identities in critical, biting, and sometimes humorous ways. In works like those by Rasheed Araeen and Adrian Piper, the artists take on stereotyped identities—a Pakistani immigrant and a Black man—to document and deconstruct them, questioning how they are made visible in art and art history.

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I am the Locus (#1)
Adrian Piper
1975
BOY Box
Cody Critcheloe with SSION
2010
Mirror Study for Joe (_2010980)
Paul Mpagi Sepuya
2017
Triptych with Hands
Eugenia Vargas
1994
East Village Beijing, 1994.  No.46
Rong Rong (榮榮)
2003
Black Woman with Chicken
Carrie Mae Weems
1987 - 88
Black Man Holding Watermelon
Carrie Mae Weems
1987 - 1988
Installation view of Smart to the Core: Embodying the Self at the Smart Museum of Art, January …
Hank Willis Thomas
2009
Black Artist
Samuel Levi Jones
2018
Harold's Chicken Shack
Amanda Williams
2014 - 2016, printed 2017
Demolition - World Financial Center
Zhang Dali (張大力)
1998 - 2001
Canova's Venus
Joel Peter Witkin
1982
Tattoo 1
Qiu, Zhijie (丘志杰)
1997