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The Buddha of Heavenly Virtue (Tentoku Amida Nyorai)
The Buddha of Heavenly Virtue (Tentoku Amida Nyorai)
The Buddha of Heavenly Virtue (Tentoku Amida Nyorai)

The Buddha of Heavenly Virtue (Tentoku Amida Nyorai)

Date15th - early 16th century
MediumHanging scroll, ink, color, gold paint and cut gold leaf (kirikane) on silk
DimensionsPanel: 22 1/4 × 16 3/4 in. (56.5 × 42.6 cm)
Credit LineGift of Mrs. Geraldine Schmitt-Poor and Dr. Robert J. Poor in honor of Professor Harrie A. Vanderstappen
Object number1991.19
Terms
  • Nambokucho
Object TypePaintings
On View
Not on view
This elegant painting depicts the Buddha of Heavenly Virtue. This is a rare variant of the raigō ("Welcoming Descent") of the Buddha Amida from his Western Paradise to earth to receive the soul of a deceased believer into his heavenly realm. In the standard raigō scene, the large figure of Amida is shown with his smaller attending Bodhisattvas Kannon and Seishi, all serenely standing on individual lotus flowers that float on swirling white clouds. But in this version, the standing Amida is set instead in the middle of an ecstatic circle of ten singing and dancing Bodhisattvas, including Kannon and Seishi.

This configuration is said to have been revealed by the Buddha Amida to the founder of the Nembutsu sect in 1117 during meditation on the Lotus Sūtra (a sūtra is a sacred text in Buddhism). Later, this visionary image came to be used as the object of worship in temples of the Nembutsu sect, and such hanging scrolls were often brought to deathbed vigils and funeral services of devotees to promote the rebirth of their souls in Amida’s Western Paradise.

The splendor of Amida’s abode is evoked in such paintings by the rich application of gold. While interior details of the elaborate robes worn by the Buddha and his entourage are finely painted in gold paint, the main folds and contours of individual garments and the saints’ halos are realized in the laborious process of kirikane, in which thin sheets of gold foil are cut into complex patterns and then glued to the surface of the painting.
Amida Buddha
18th century
Calligraphy Hanging Scroll
Unknown Artist
n.d.
Rice Grass (ine)
Kamisaka Sekka
1920 - 1940
Indra and Heavenly Dragon General
Son (Seon) Monk-Painter Haejam
circa 1770s
A Courtesan
Teisai Hokuba
probably 1830 - 1844
A Suitor
Teisai Hokuba
probably 1830 - 1844
Rakan
Unknown Artist
14th century
Gyokudō Chihaku
Likely 18th century