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Landscape and Poem: Modified Excerpt from "Thinking of My Brothers on a Moonlit Night" by Du Fu (712–770)
Landscape and Poem: Modified Excerpt from "Thinking of My Brothers on a Moonlit Night" by Du Fu (712–770)
Landscape and Poem: Modified Excerpt from "Thinking of My Brothers on a Moonlit Night" by Du Fu (712–770)

Landscape and Poem: Modified Excerpt from "Thinking of My Brothers on a Moonlit Night" by Du Fu (712–770)

Datelate 19th or early 20th century
MediumLeaf from a dispersed album, brush and ink and light color on paper
DimensionsPainting panel: 11 x 19 in. (27.9 x 48.3 cm)
Mounted sheet: 12-3/4 x 20-1/2 in. (32.4 x 52.1 cm)
Credit LineGift of Mrs. Geraldine Schmitt-Poor and Dr. Robert J. Poor
Object number1995.82
Terms
  • Chosen
Object TypePaintings
On View
Not on view
In this landscape painting, the text at the upper left is excerpted—like poetic inscriptions on the other two album leaf paintings by An Jae-geon in the Smart Museum collection (see Smart Museum object numbers 1995.80 and 1995.81)—from a compilation of early Chinese poetry called 300 Tang Poems. It reads: There are no wayfarers in the wild frontiers. / From far away, only the sound of a wild goose can be heard in the autumn sky. / Painted with a free brush by Ja-bak [Ja-geon] on the 17th day in the 4th month.

This text and Jae-geon’s illustration bring to mind traditional Chinese motifs called the “Eight Views of the Xiao and Xian Rivers,” in particular “Wild Geese Descending to a Sandbar.” The “Eight Views” celebrate the rustic beauty and solitude of a remote region in China that was favored by scholars working in government posts as a place of retreat and reclusion from the official duties and intrigues of court life