Lithograph printed on both sides of mylar

John Chamberlain’s offset lithograph echoes the irregular forms of his abstract sculptures made from crushed car parts. In this instance, shadow and color are used to convey a sense of interior and exterior space. Resembling a crumpled piece of paper or a rose with intricate petals, this work strikes a balance between the strength of machine-like forms and the delicacy of more fragile materials.