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Sun Rise Enso
Sun Rise Enso
Sun Rise Enso

Sun Rise Enso

Date1920
MediumFolding fan mounted as a hanging scroll, ink on mica-covered paper
DimensionsMounting: 43 1/2 × 22 3/4 in. (110.5 × 57.8 cm)
Panel: 8 × 18 1/4 in. (20.3 × 46.4 cm)
Credit LinePurchase, Brook McCormick Jr. Fund
Object number1998.57
Object TypePaintings
On View
Not on view
Nantenbo was one of the most important Zen monks of the Meiji and Taisho eras, and he is now considered the finest early 20th century Zen painter and calligrapher. Like many earlier monk-painters, he did not take up painting and calligraphy in earnest until his sixties, and this work was brushed when he was eighty-two. As a high-ranking priest, Nantembo was highly regarded for his bokuseki or "traces of the brush," which were believed to reflect not only his own spirituality but also to resonate with the accumulated enlightenment of the Zen lineage.

This intimate fan was probably a gift to a friend or admirer. A circular image representing the complex Zen concept of enso—variously representing perfection, the enlightened consciousness, or even the Zen sect itself—was rendered in a meticulous subdued fashion. The accompanying texts reads, "The sun rises, illuminating the cosmos."
Calligraphy Hanging Scroll
Nakahara Nantenbō (Toju Zenchu) [Nantenbo]
n.d.
Vast Emptiness, Nothing Sacred
Nakahara Nantenbō (Toju Zenchu) [Nantenbo]
1908
letter
H. C. (Horace Clifford) Westermann
May 13, 1970
pamphlet
H. C. (Horace Clifford) Westermann
early 1950s
postcard
William T. Wiley
April 19, 1965
Cup and Saucer
Yeoung Najun
1904
letter
H. C. (Horace Clifford) Westermann
April 7, 1973
print
William T. Wiley
1979
Bamboo in Wind
Gim Gyu-jin (金圭鎭)
n.d.
Fire Enso
Setsudo, Joun
n.d.
letter
Joanna Beall Westermann
August 8, 1995